Hail, bright Cecilia!

The Scottish-Maltese soprano Carine Tinney is especially acclaimed for her interpretations of Baroque music. She has appeared as a soloist at venues including the Berlin Philharmonie, the Händel Festival in Halle and La Monnaie in Brussels, and with the Royal Liverpool Philharmonic Orchestra. She has collaborated with renowned conductors such as John Butt, Jonathan Cohen, Emmanuelle Haïm, Lars Ulrik Mortensen and Helmuth Rilling.
 
In the 2024/25 season she made her debut at the Bavarian State Opera singing A Voice from Heaven in Verdi’s Don Carlo, performed with the Bach Collegium Japan at the Chofu International Music Festival, Bach’s St Matthew Passion on tour with the Netherlands Bach Society under Hans-Christoph Rademann — and performs with the Freiburg Baroque Orchestra and Vox Luminis at the Salzburg Festival.
 
Her operatic highlights include Pamina in Mozart’s Die Zauberflöte at the Landestheater Detmold, the title role in Massenet’s Cendrillon, and Purcell’s The Indian Queen under Emmanuelle Haïm at the Opéra de Lille.
 
Since 2019 she has been a member of the Sollazzo Ensemble, which specializes in music from the Middle Ages and the Renaissance and with which she regularly appears throughout Europe and in the USA and Asia, and on CD recordings. Since 2023 she has also worked regularly with the Netherlands Bach Society.

Vojtěch Semerád is a graduate of the Prague Conservatory, the Faculty of Pedagogy of Charles University in Prague (Choirmastering), and the Conservatoire national supérieur de musique et de danse de Paris (Baroque violin with François Fernandez). He is a finalist of the Telemann-Wettbewerb International Competition in Magdeburg. He has been trained as a singer since 2010 throughout private lessons (with teachers such as Chantal Santon Jeffery, Peter Kooij, Poppy Holden) and many masterclasses.
 
As a solo singer, Vojtěch Semerád is invited by renowned ensembles such as Les Arts Florissants, Ensemble Correspondances, Wroclaw Baroque Orchestra, Vox Luminis, or Huelgas Ensemble, with whom he performs at major international venues and festivals such as Théâtre des Champs-Elysées, Park Avenue Armory in New York, Logan Center for the Arts in Chicago, Concertgebouw Rotterdam, Wigmore Hall in London, Palau de la Música Catalana in Barcelona, etc. He has taken part in several opera productions, and has recently sung the role of Acis in Georg Friedrich Handel’s Acis and Galatea, the role of Atys in Jean-Baptiste Lully’s Atys, the role of Pythonisse in David et Jonathas and Histoires Sacrés by Marc-Antoine Charpentier, or The Fairy Queen by Henry Purcell. He is regularly invited as the Evangelist in passions and oratorios by Johann Sebastian Bach.
 
Vojtěch Semerád is the artistic director of the vocal ensemble Cappella Mariana, with which he performs forgotten works of vocal polyphony of Middle Ages, Renaissance and Baroque era. Today the ensemble is regularly invited to the prestigious festivals, a.o. Oude Muziek Utrecht, MAfestival Brugge, Voices of Passion in Leuven, Laus Polyphoniae in Antwerpen, Klangvokal Musikfestival Dortmund, Prague Spring, Innsbrucker Festwochen der Alten Musik, Tage Alter Musik Regensburg, Summer Festivities of Early Music and Concentus Moraviae. The ensemble received the Czech Angel Award for Best Recording in the category of Classical Music for 2024 for the project Pilgrimage.
 
As a violinist, Vojtěch Semerád is a permanent member of the Collegium Marianum ensemble and also performs in multi-genre and original musical projects.
He has recorded for Deutsche Gramophon, Naïve, Harmonia Mundi, Passacaille and Supraphon, in total more than 30 recordings, and also regularly records for Czech Radio. Vojtěch Semerád is also a researcher, focusing on the discovery of 15th, 16th and 17th century vocal music in Central Europe.

Since it was founded in 1997, the Prague ensemble Collegium Marianum has focused on presenting the music of the seventeenth and eighteenth centuries, especially by composers who were born or active in central Europe. One of the few professional ensembles specializing in this field in the Czech Republic, Collegium Marianum not only gives musical performances, but regularly also stages scenic projects.
 
The ensemble works under the artistic leadership of the traverso player Jana Semerádová who also regularly appears as a soloist with some of the eminent European orchestras. Her active research together with her study of Baroque gesture, declamation and dance, has enabled Semerádová to broaden the profile of the Collegium Marianum ensemble and present multi-genre projects featuring Baroque dance and theater. Her unique, thematic programming has resulted in a number of modern-day premieres of historical music presented each year. The ensemble has collaborated with renowned European conductors, soloists, directors, and choreographers such as Andrew Parrott, Hana Blažíková, Damien Guillon, Peter Kooij, Sergio Azzolini, François Fernandez, Simona Houda-Šaturová, Benjamin Lazar, Jean-Denis Monory, and Gudrun Skamletz.
 
Collegium Marianum has received critical acclaim both at home and abroad. The ensemble has appeared extensively on the Czech Radio and TV as well as on the radio abroad. It regularly performs at music festivals and on prestigious stages both in the Czech Republic and elsewhere in Europe, including Tage Alter Musik Regensburg, Bachfest Leipzig, Potsdam Festspiele, Mitte Europa, Festival de Sablé, Bolzano Festival, Palau Música Barcelona, Pražské jaro, or Concentus Moraviae.
 
In 2008 the ensemble started a successful collaboration with the Supraphon label. Within the “Music from Eighteenth-Century Prague” series it has launched eight recordings with music by both well-known and lesser-known composers including J.D. Zelenka, F. Jiránek, J.J.I. Brentner and J.A. Sehling.

One of the most prominent personalities of the international early music scene, flautist Jana Semerádová is a world-class soloist, conductor, musicologist and creator of unique artistic projects. A graduate of the Prague Conservatory, the Faculty of Arts, Charles University in Prague (Theory and Practice of Early Music), and the Koninklijk Conservatorium in the Hague, the Netherlands, she is also a laureate of the Magdeburg and Munich international competitions.
 
Jana Semerádová is the artistic director of Collegium Marianum and programming director of the concert cycle Baroque Soirées and the international music festival Summer Festivities of Early Music. She undertakes intensive archival research both at home and abroad and is engaged in ongoing study of Baroque gesture, declamation and dance. Many of her unique programmes are built around the interconnection of music and drama. Under her direction, Collegium Marianum stages several contemporary premieres of musical works each year. Jana Semerádová has a number of CDs to her name; her recordings with Collegium Marianum are featured as part of the successful series “Music from Eighteenth-Century Prague” on the Supraphon label, for which she has also recorded her two signature CDs “Solo for the King” and “Chaconne for the Princess”.
 
Jana Semerádová has performed at leading European concert venues and festivals (such as Bachfest Leipzig, Oude Muziek Utrecht, Musikfestspiele Potsdam Sanssouci, Innsbrucker Festwochen der Alten Musik, Händel-Festspiele in Halle, Festival de Sablé, Prague Spring, Tage Alter Musik Regensburg, Wratislavia Cantans, Centre de Musique Baroque de Versailles, the Konzerthaus in Vienna and Berlin, and Palau de la Música Catalana), collaborated as a soloist with various artists, including Magdalena Kožená, Sergio Azzolini, Alfredo Bernardini, and Enrico Onofri, and regularly performs with the Akademie für Alte Musik Berlin, Il Suonar Parlante, Wrocławska Orkiestra Barokowa, Orkiestra Historyczna and Ars Antiqua Austria.
 
In 2015 she received her habilitation degree as an associate professor of flute from the Faculty of Music and Dance at the Academy of Performing Arts in Prague. Since 2024, she has been teaching at the Kryszstof Penderiecki Academy of Music in Kraków.
 
In 2019 she was awarded the prize of the Prague Group of the Society for Arts and Sciences. A year later, Jana Semerádová and Erich Traxler were nominated for the Anděl Awards (category Classics) for their CD “Chaconne for the Princess”. In December 2024, Jana Semerádová was awarded the prestigious French Order of Arts and Letters (Ordre des Arts et des Lettres), at the grade of Knight (Chevalier).