Il divino Sassone

Pavla Radostová is a graduate of the Brno Conservatory and Janáček Academy of Music and Performing Arts in Brno. She focuses primarily on Renaissance, Baroque, and contemporary music, but in recent years she has also returned to Classical and Romantic music. She loves discovering the stories hidden in the texts of the vocal repertoire, in any musical genre. Here she showcases her natural musicality, sense of words, musical alertness, precise intonation, and unique interpretation. Her singing is often praised by critics for its technical maturity, wide vocal range, and varied emotional spectrum, supported by a colorfulness ranging from angelic crystal and sweet to honey-deep and sensual tones.
 
As a soloist and ensemble singer, she regularly collaborates with leading Czech and foreign ensembles of various musical genres (such as Collegium Vocale Gent, Collegium 1704, Drei Engel, Musica Florea, Cappella Mariana, Czech Ensemble Baroque, Collegium Marianum, Ensemble Inégal, Brno Philharmonic, Reich Quartet, Brno Contemporary Orchestra, Berg Orchestra, Musica aeterna, Ensemble Opera Diversa, Tupá šídla, Musica Laetitia). This collaboration has given her the opportunity to perform in Czech and world premieres of several compositions.
 
Pavla Radostová made her debut in 2018 at the South Bohemian Theater in České Budějovice in the role of Barena in the opera Její pastorkyňa. In 2024, she made her successful debut at the National Theater in Prague in the dual role of L’Amour and Clarine in the opera Platée, which was ranked among the ten best productions of 2024 by the Frankfurter Allgemeine Zeitung newspaper.
 
As a soloist, she has participated in the creation of several CDs and radio recordings (Philippe de Monte: Madrigali spirituali, Jean-Philippe Rameau: Les Boréades, František Ignác Antonín Tůma: Te Deum, Antonín Brossmann: Missa in A, František Xaver Richter: Super flumina Babylonis / Miserere mei Deus, Gérard Grisey: Quatre chants pour franchir le seuil, the cycle Music for the Siren, Joël Bons: Thirty Situations, Fausto Romitelli: EnTrance, Petr Hora: The Red of the Flesh, Hans Abrahamsen: Two Songs by Inger Christensen, etc.).

Since it was founded in 1997, the Prague ensemble Collegium Marianum has focused on presenting the music of the seventeenth and eighteenth centuries, especially by composers who were born or active in central Europe. One of the few professional ensembles specializing in this field in the Czech Republic, Collegium Marianum not only gives musical performances, but regularly also stages scenic projects.
 
The ensemble works under the artistic leadership of the traverso player Jana Semerádová who also regularly appears as a soloist with some of the eminent European orchestras. Her active research together with her study of Baroque gesture, declamation and dance, has enabled Semerádová to broaden the profile of the Collegium Marianum ensemble and present multi-genre projects featuring Baroque dance and theater. Her unique, thematic programming has resulted in a number of modern-day premieres of historical music presented each year. The ensemble has collaborated with renowned European conductors, soloists, directors, and choreographers such as Andrew Parrott, Hana Blažíková, Damien Guillon, Peter Kooij, Sergio Azzolini, François Fernandez, Simona Houda-Šaturová, Benjamin Lazar, Jean-Denis Monory, and Gudrun Skamletz.
 
Collegium Marianum has received critical acclaim both at home and abroad. The ensemble has appeared extensively on the Czech Radio and TV as well as on the radio abroad. It regularly performs at music festivals and on prestigious stages both in the Czech Republic and elsewhere in Europe, including Tage Alter Musik Regensburg, Bachfest Leipzig, Potsdam Festspiele, Mitte Europa, Festival de Sablé, Bolzano Festival, Palau Música Barcelona, Pražské jaro, or Concentus Moraviae.
 
In 2008 the ensemble started a successful collaboration with the Supraphon label. Within the “Music from Eighteenth-Century Prague” series it has launched eight recordings with music by both well-known and lesser-known composers including J.D. Zelenka, F. Jiránek, J.J.I. Brentner and J.A. Sehling.

One of the most prominent personalities of the international early music scene, flautist Jana Semerádová is a world-class soloist, conductor, musicologist and creator of unique artistic projects. A graduate of the Prague Conservatory, the Faculty of Arts, Charles University in Prague (Theory and Practice of Early Music), and the Koninklijk Conservatorium in the Hague, the Netherlands, she is also a laureate of the Magdeburg and Munich international competitions.
 
Jana Semerádová is the artistic director of Collegium Marianum and programming director of the concert cycle Baroque Soirées and the international music festival Summer Festivities of Early Music. She undertakes intensive archival research both at home and abroad and is engaged in ongoing study of Baroque gesture, declamation and dance. Many of her unique programmes are built around the interconnection of music and drama. Under her direction, Collegium Marianum stages several contemporary premieres of musical works each year. Jana Semerádová has a number of CDs to her name; her recordings with Collegium Marianum are featured as part of the successful series “Music from Eighteenth-Century Prague” on the Supraphon label, for which she has also recorded her two signature CDs “Solo for the King” and “Chaconne for the Princess”.
 
Jana Semerádová has performed at leading European concert venues and festivals (such as Bachfest Leipzig, Oude Muziek Utrecht, Musikfestspiele Potsdam Sanssouci, Innsbrucker Festwochen der Alten Musik, Händel-Festspiele in Halle, Festival de Sablé, Prague Spring, Tage Alter Musik Regensburg, Wratislavia Cantans, Centre de Musique Baroque de Versailles, the Konzerthaus in Vienna and Berlin, and Palau de la Música Catalana), collaborated as a soloist with various artists, including Magdalena Kožená, Sergio Azzolini, Alfredo Bernardini, and Enrico Onofri, and regularly performs with the Akademie für Alte Musik Berlin, Il Suonar Parlante, Wrocławska Orkiestra Barokowa, Orkiestra Historyczna and Ars Antiqua Austria.
 
In 2015 she received her habilitation degree as an associate professor of flute from the Faculty of Music and Dance at the Academy of Performing Arts in Prague. Since 2024, she has been teaching at the Kryszstof Penderiecki Academy of Music in Kraków.
 
In 2019 she was awarded the prize of the Prague Group of the Society for Arts and Sciences. A year later, Jana Semerádová and Erich Traxler were nominated for the Anděl Awards (category Classics) for their CD “Chaconne for the Princess”. In December 2024, Jana Semerádová was awarded the prestigious French Order of Arts and Letters (Ordre des Arts et des Lettres), at the grade of Knight (Chevalier).

Lenka Torgersen studied violin at the Pilsen Conservatory and subsequently at the Academy of Performing Arts in Prague under Václav Snítil. After graduating in 1998 she focused intensively on Baroque violin and honed her skills from 1999 to 2003 at the Schola Cantorum Basiliensis under the tutelage of Chiara Banchini.

From 1999 to 2012 she was concertmaster of Collegium 1704. Currently concertmaster of Collegium Marianum, she also works regularly with other Czech and international ensembles including La Cetra Barockorchester Basel, Ensemble 415, Freitagsakademie Bern, conSequenza, Ensemble Inégal, Les Traversées Baroques, Orchester der J. S. Bach-Stiftung St. Gallen and Ensemble Tourbillon. As a chamber musician and soloist she performs at major music festivals (such as the Prague Spring, Festival d’Ambronay, Festival de Sablé, Festival La Chaise-Dieu, MA Festival Brugge, Festival Oude Muziek Utrecht, Innsbrucker Festwochen der Alten Musik, Festival del Camino de Santiago and Festival Santander), and also collaborates with various leading figures in early music including Chiara Banchini, Gustav Leonhardt, René Jacobs, Andrea Marcon, Jordi Savall, Andrew Parrott and Attilio Cremonesi.

She has recorded for renowned international labels such as Harmonia Mundi, Accent, Zig-Zag Territoires and Pan Classics. In 2010 as a soloist with Collegium 1704 she recorded the instrumental works of Antonín Reichenauer, for which she received the Diapason d’Or award. In 2013 she recorded on the Supraphon label a solo CD entitled “Il Violino Boemo”, a modern-day premiere reviving the sonatas of the 18th century Czech violin virtuosi František Benda, Josef Antonín Gurecký and František Jiránek. This recording also garnered enthusiastic reviews from both Czech and foreign critics.